The Hunt For The Six Forgotten Giants

Thomas Dambo’s Six Forgotten Giants turn a half-day outside Copenhagen into a playful treasure hunt. You’ll leave the city by car, follow paths through suburban scenery, and find Sleeping Louis, Hilltop Trine, Oscar Under the Bridge, Thomas on the Mountain, Little Tilde, and Teddy Friendly in places you would not see on a standard city tour.

I like the small-group format and the way the car links six scattered sites in about four hours. I also like the planned tea or coffee stop, which adds a cozy Danish pause between the morning’s walks. The main caution is simple: this is not a sit-in-the-car sightseeing trip. Some giants require a good walk, and the tour may feel tight if all six places are full.

Key things to know before you book

• Six sculptures in one morning: You visit all six Forgotten Giants rather than hunting for just one or two.
• A maximum of six people: Small groups make it easier to ask questions, chat with the guide, and get help with photos.
• A car between suburban sites: Private transport saves time and makes this practical without arranging several buses or taxis.
• Walking is part of the hunt: Bring water and good shoes. The tour may not suit anyone with walking or mobility problems.
• Tea or coffee midway: A warm drink, often paired with biscuits, gives you a pleasant break between the two sets of sculptures.
• Strong guide service: Milad is frequently praised for his friendly manner, timing, local tips, and help with photos.

Why these six giants make a good Copenhagen side trip

Copenhagen is easy to enjoy on foot, but the city center tells only part of the story. Thomas Dambo’s Forgotten Giants lead you into suburban woods, open spaces, lakeside areas, and other corners beyond the usual sightseeing route. The sculptures are placed in settings where the act of finding them matters almost as much as the sculptures themselves.

That gives this outing a different feel from a museum visit. You are not simply shown an artwork and handed a short explanation. You ride to a general area, walk toward a giant, and see how the sculpture fits into its surroundings. The search adds a little mystery, while the outdoor setting gives children and adults room to move.

You will also get a look at Copenhagen beyond the old center. The drive between the six sites is useful here. Public transportation could get you toward some of these areas, but fitting all six into a single morning would be much harder without a car and a guide who knows the route.

The experience has earned a 4.9 rating from 45 ratings, with 96 percent recommending it. Those numbers suggest a very reliable outing, but they do not erase the practical limits. The quality of your day depends partly on the group’s walking speed and comfort in the vehicle.

Starting at Valdemarsgade at 10 a.m.

The tour begins at Valdemarsgade 15, in Copenhagen’s 1665 postal district, at 10 a.m. You meet the guide and the other members of your group there, then leave the city in private transport. The activity returns to the same meeting point after roughly four hours.

A maximum of six people is a real advantage. The guide can speak with each person, answer questions about Denmark, and help take photos without managing a large crowd. Solo visitors and couples may find it easy to chat with the others, while families can expect a more personal outing than they would get on a full-size bus.

The vehicle is comfortable for smaller groups, but space can become an issue when all six places are occupied. One less favorable experience involved a small Volkswagen van feeling cramped, especially when a passenger needed extra help getting in and out. If you have limited mobility or need more room, ask about the vehicle and walking demands before paying.

Sleeping Louis, the first forgotten giant

The first stop is Sleeping Louis. Even the name sets the mood. This is not a formal art stop with a quiet gallery atmosphere. It is part of a playful outdoor search, and the giant’s setting gives you a reason to slow down and look around.

The first sculpture also helps you understand the tour’s rhythm. You ride from the meeting point, get out, walk to the sculpture, spend time taking photos and hearing the guide’s explanation, then return to the car. The repeated pattern is easy to follow, though you should not mistake the short driving time for a short walking day.

At each site, the guide can add context about the sculpture and the surrounding area. Milad has been especially praised for explaining the giants, answering questions about Copenhagen and Denmark, and making sure people get photos. That personal attention is useful when the group includes several families or people who want to learn more than the names of the sculptures.

Hilltop Trine and the reward of the walk

Hilltop Trine brings the tour to a higher viewpoint. The name points to the appeal: you get a giant paired with a broad view of the surrounding area. It is one of the stops where the walk is part of the reward.

You should wear shoes with a firm sole. The paths may be manageable for most active visitors, but the tour description warns that the activity may not suit people with walking difficulties or other physical limitations. The exact effort can vary with the group, weather, and how long everyone spends at each sculpture.

This is also a good place to keep your camera ready. The giants are designed for photographs, and the open setting gives you more than a close-up portrait. Ask the guide to take a picture of you with the sculpture. Guides have regularly helped with group photos, which saves you from relying on a stranger or using a timer.

Oscar Under the Bridge adds a little surprise

Oscar Under the Bridge changes the mood again. The location is part of the fun, and the sculpture rewards you for looking in a less obvious place. This is one reason the outing works best as a hunt rather than a simple transport service.

The route gives each giant its own setting. You are not seeing six identical sculptures in six similar parks. Instead, the locations create small moments of discovery, with scenery, wildlife, and changing surroundings along the way.

After the first three giants, you get a tea or coffee break. This pause matters more than it may sound. It gives the group time to warm up, dry off, compare photos, and chat with the guide before continuing. A particularly pleasant version of the stop included a small hut under the trees beside a lake, rain falling outside, hot tea, and biscuits. The exact setting may vary, but the warm drink is part of the experience.

Thomas on the Mountain begins the second half

The tour then continues to Thomas on the Mountain. The name is a useful reminder that the sculptures are not all reached in the same way. Some involve a short walk, while others ask you to move through more natural surroundings.

The guide’s role becomes especially helpful in the second half. A good host keeps an eye on timing, points out the route, and adjusts the pace when needed. Milad has been praised for doing this well, with a friendly manner and clear organization. Ahmed has also been praised for courtesy, information about the giants, and taking photos.

Do not expect a formal lecture at every stop. This is a relaxed outing. The best version gives you enough background to appreciate the project while leaving room for jokes, questions, and time with the sculptures. If you want an art-history seminar, this may feel light. If you want a personable guide and an unusual way to see the outskirts, it fits well.

Little Tilde, the most playful stop

Little Tilde is presented as the cutest of the six, and it brings a lighter note to the route. The sculptures are large and whimsical, so children often have a natural reason to engage with them rather than simply look and move on.

Families with teenagers have enjoyed the combination of driving, walking, photography, and outdoor settings. The tour also suits adults who like public art but do not want to spend the whole day in galleries. You can admire the project, enjoy the scenery, and still have plenty of time left for Copenhagen afterward.

The word giant can make the outing sound more physically demanding than it is, but walking remains a serious part of the morning. Plan for steps at several locations. If someone in your party has a knee, balance, or mobility problem, choose another activity or contact the operator before booking.

Teddy Friendly closes the search

Teddy Friendly is the final giant. The name fits the warm, approachable spirit of the project and gives the route a cheerful finish. By this point, you will have seen how each sculpture works with its location rather than simply occupying a spot in it.

The final stop is also a chance to look back at the variety of the morning. You have gone from a sleeping figure to a hilltop view, a bridge, a mountain, a smaller giant, and a friendly final sculpture. The route has a clear shape, and the return drive gives you time to talk with the guide before arriving back at Valdemarsgade.

A four-hour duration is well judged for most people. It is long enough to see all six giants without making the entire day about one project. It also leaves time for lunch, museums, or a canal walk afterward. Keep in mind that a slower group or a passenger who needs extra assistance can add about an hour and a half, so avoid scheduling an important timed attraction immediately afterward.

What the guide adds to the experience

The strongest praise goes to the guides, especially Milad. He is described as welcoming, polite, well organized, and enthusiastic about Denmark. He also answers questions about Copenhagen, not just the sculptures, which makes the drive more useful.

One guide is a former teacher, a background that helps explain the personal style reported on the tour. Good communication matters here because the outing has several transitions. You need clear directions at walking points, a sensible pace, and enough information to make each stop feel worthwhile.

The small group lets the guide speak with families, couples, and solo visitors instead of addressing a crowd. That can make the morning feel like a private outing even when you have other people in the car. It also means the group’s needs affect everyone. A very slow walker can lengthen the day, while a fast group may spend more time at the sculptures.

Is $142.47 a fair price?

At $142.47 per person, this is not a bargain attraction. You are paying for a four-hour experience, private transportation, a guide, the coordination of six scattered sites, and tea or coffee. Admission to the sculptures themselves is free, so the value is in the route, transport, local help, and time saved.

For two people, the price may compare favorably with arranging separate taxis or rental transport, especially if you do not want to navigate suburban roads and walking routes. It also avoids the planning work of finding all six sites and fitting them into one morning.

The price is harder to justify if you are comfortable using public transportation, have plenty of time, or care only about one or two sculptures. In that case, an independent visit could cost less. You also need to be comfortable with a small vehicle and with walking in changeable weather.

The high rating and strong guide comments suggest that the service is usually a major part of the value. This is not simply a driver dropping you at six locations. The best outing includes stories, answers, photos, timing, and a warm drink in a pleasant setting.

Weather, clothing, and walking advice

Denmark’s weather can change quickly. Bring water, wear good walking shoes, and dress in layers with rain protection. Guides have carried umbrellas on rainy outings, but you should still arrive prepared rather than counting on borrowed equipment.

The tour operates outdoors at every sculpture. Rain does not necessarily ruin the experience, and a wet day can make the tea stop especially welcome. Still, people who dislike walking on damp paths or being outside in poor weather should choose a clear forecast if possible.

A small backpack is enough. Carry water, a phone or camera, and a light snack if you need one. The activity includes tea or coffee, but meals are not included. Accommodation is not included either, though that is not relevant for most people taking a four-hour Copenhagen outing.

Who should book this half-day hunt?

I would choose this tour if you want to see all six giants efficiently, prefer a personal guide, and enjoy mixing art with fresh air. It is a particularly good match for families with older children or teenagers, couples, solo visitors, and anyone who has already seen the central sights and wants a different side of Copenhagen.

It is less suitable if you have significant walking limitations, need a spacious vehicle, or want a quiet, highly formal art tour. It also may not suit you if $142.47 feels too high for a free public-art project.

Book at least a few weeks ahead if your dates are fixed. The activity is booked, on average, 66 days in advance, and the six-person limit keeps the experience personal but also limits capacity. Free cancellation is available up to 24 hours before the 10 a.m. start time, which gives you some flexibility if the forecast turns poor.

FAQ

Where does the tour start and finish?

The tour starts at Valdemarsgade 15, 1665 København, Denmark, at 10 a.m. It ends back at the same meeting point.

How long does the experience last?

The tour takes about four hours. A group that needs extra assistance may take longer, so leave some space in your schedule afterward.

How many people can join the tour?

The maximum group size is six people. The small format allows more direct conversation with the guide and easier help with photos.

Are transportation and drinks included?

Yes. Private transportation and tea or coffee are included. Meals and accommodation are not included.

How much walking is involved?

You ride between the sculpture sites, but you walk to several of the giants. Bring water and good walking shoes. The activity may not suit people with walking difficulties or other physical limitations.

Can I cancel the booking?

You can cancel up to 24 hours before the local start time for a full refund. Changes or cancellations made less than 24 hours before the start are not accepted for a refund.

Should you book The Hunt For The Six Forgotten Giants?

Book it if you want an easy, social way to see all six Thomas Dambo sculptures without piecing together a complicated route. The small group, private car, friendly guides such as Milad and Ahmed, and mid-morning tea stop give the outing its value.

Skip it if you want the cheapest possible way to see public art or if walking and small-vehicle comfort are concerns. For everyone else, this is a cheerful half-day beyond central Copenhagen, with enough art, nature, and local conversation to feel like more than a simple sculpture checklist.